It’s Halloween again, the time when little kids go trick-or-treating in all sorts of elaborate costumes, and movie buffs, too old to participate, seek out scary movies that put them in the holiday spirit. However, finding a good horror movie to watch is a pretty daunting task since horror movies nowadays are really not that good. Here is a list of reviews on older and newer horror films, the tricks and the treats, to ensure that you don’t get caught with a clunker this holiday season.
Halloween (treat): Shot in only 21 days and made on a rather shoe-string budget, John Carpenter’s masterpiece of suspense, “Halloween,” accomplishes more than most big-budget horror films released these days. It’s a sinister, dexterously photographed thriller that relies more on fear and anticipation than gratuitous gore and mindless violence. Even its heroine is an intelligent, three-dimensional human being that many people can relate to. Jamie Lee Curtis is Laurie Strode, an insecure high school student who is terrorized by an escaped mental patient named Michael Meyers, who savagely murdered his older sister when he was only six years old. Donald Pleasence is Dr. Sam Loomis, who follows Michael back to his home town of Haddonfield, Ill., in hopes of stopping him before he can kill again. Director John Carpenter composed the film’s classic musical score, an eerie piano piece that ratchets up the tension-level a hundred fold. From its shocking opening scene to its thrilling climax, “Halloween” holds you in its death grip right until the end credits roll.
Audition (treat): This movie is seriously insane. What starts off as a deep, poignant story of a middle-aged widower hoping to remarry and move on with his life, slowly turns into a surreal nightmare of grisly, hallucinatory images, mutilated bodies and razor-sharp piano wire. The widower is a film producer named Shigeharu Aoyama (Ryo Ishibashi), and in order to find a new bride, he takes his best friend’s advice in staging a phony audition and marrying the leading lady. He’s immediately smitten with a beautiful, seemingly timid ballerina named Asami Yamazaki (Eihi Shiina). He takes her on a few dates and grows to really love her, yet on the night he plans to propose to her, she disappears, and he attempts to go and find her. She ends up finding him, resulting in what is probably the most disturbingly graphic horror climax in movie history. Japanese horror auteur Takashi Miike creates a number of baroque and horrifying images that’ll remain cemented in your mind for days, weeks, maybe even years after seeing the film. One thing’s for sure, once you see “Audition,” there’s no forgetting it. It will haunt you more than any other film on this list.
The Strangers (trick): “The Strangers” is a dark, ugly, irresponsible and evil-spirited movie and a colossal waste of 86 minutes. There is nothing in this movie that is worth a second of your time. In the story, a young couple (Liv Tyler and Scott Speedman) is terrorized by the titular trio of home invaders, which becomes both tedious and aimless. The characters are all one-dimensional. There is not a single scare anywhere. The ending is so distressingly downbeat that it leaves you feeling crummy for many hours afterward. Why was this movie made? The reason is quite simple: to exploit unmotivated human suffering for the sake of entertainment. Everyone involved should be ashamed of themselves for making this despicable movie.
Alien (treat): Ridley Scott’s effective 1979 monster-in-space epic proves that silence and empty space can be far more terrifying than flashy creature effects and buckets of gore. There are moments in this film where you know something terrible is lurking just around the corner, even during the moments of total silence. It’s the uncertainty and anticipation that make “Alien” the masterpiece of horror that it is, and when the titular creature finally punctuates the silence with its slimy presence, it’s almost impossible not to scream. The movie stars Sigourney Weaver in a career defining role as Ellen Ripley, a member of the mining ship Nostromo. The titular creature manages to find its way onto the Nostromo after Ellen and her team are sent to investigate a mysterious distress signal coming from a nearby planet. There are a number of effectively gruesome shocks in the movie, the highlight being the dinner scene where a baby alien pops out of John Hurt’s chest. Atmospheric and brilliantly scripted, “Alien” is a must-see for those seeking a fun, ultra-scary monster movie.
The Mist (trick): I understand what this movie is trying to say, and I can respect it for at least being somewhat ambitious, but “The Mist” is such a solemn and plodding monster movie that I really couldn’t care one way or the other. The story, based on a novel by Stephen King and adapted by writer/director Frank Darabont (who did “The Shawshank Redemption” and “The Green Mile,” two other Stephen King movies), takes place in a small Maine town and focuses on a dozen or so people holed-up in a supermarket after a monster-infested mist consumes the entire area. Although there is exactly one scary sequence set in a nearby pharmacy, the majority of the movie is hampered by an aggressively dreary tone, chintzy monster effects and an annoyingly over-the-top performance by the usually great Marcia Gay Harden. The ending has stirred up a lot of mixed emotions from moviegoers. Some thought it to be brilliant, while others thought it to be depressing and distasteful. I fall into the latter category.
Wolf Creek (trick): Little more than a misogynist snuff film with pretentiously artsy cinematography, “Wolf Creek” seemed to work best during the scenes before the nonsense about the psychotic bushman came into play. The movie focuses on a trio of likable characters, two British women and one Australian guy, who are taking a road trip through the Outback to the titular meteor crater. After hiking around the site for an hour, they return to find that their car won’t start. Enter a seemingly friendly bushman (John Jarrett) who offers to fix their car if they agree to let him tow them to his site all the way out in scenic nowhere. They agree to it, a mistake that they might not live long enough to regret. Debut writer/director Greg McLean does an OK job of establishing character relationships and creating an ominous atmosphere. Yet, once all the hacking and slashing started, the results were more depressing than scary. You can do better than this.
The Descent (treat): Easily one of the scariest monster movies ever made, “The Descent” focuses on a sextet of thrill-seeking women who go spelunking in the Appalachians and encounter an army of cave-dwelling, flesh-eating monsters. Writer/director Neil Marshall (“Dog Soldiers”) evokes a feeling of claustrophobia that is so unbearable at times that those who suffer from it will probably have difficulty finishing the movie. He also gives us a group of women who are not only sympathetic, but also intelligent and super-tough. Superbly crafted, flawlessly visualized and scary as heck, “The Descent” offers everything horror movie buffs crave in spades.
Young Frankenstein (treat): Yes, I know it’s not a horror movie. However, Mel Brook’s hilarious monster movie spoof, which is fun to watch any time of the year, is surprisingly even funnier when seen during the month of October. Gene Wilder is a hoot as the title character, the original Frankenstein’s grandson. His whole life, he has always thought very lowly of his grandfather’s work. “My grandfather’s work was doo-doo!” he says at one point, yet all that changes when he inherits his grandfather’s old gothic mansion and discovers a couple of his journals. Everything from the look to the comic timing is right about this film. The cast is pitch perfect all around, with Marty Feldman’s hilarious turn as Frankenstein’s assistant Igor being a real treat. And keep a look out for Gene Hackman as a blind monk who befriends the monster and has him running for the hills screaming within a matter of minutes.